July 16, 2020
The Holocaust The New York Times Ignored
Between 1932 and 1933, the Soviet Union deliberately starved to death somewhere between 7 and 10 million people, mostly Ukrainians, in an act of genocide known as the Holodomor. But almost no one outside of the Soviet Union knew about this holocaust for decades. The film Mr. Jones directed by Agnieszka Holland and starring James Norton and Peter Sarsgaard shows us why.
The film is based on the true story of freelance Welsh reporter Gareth Jones. In the midst of the Great Depression and the global economic turmoil that came with it, Jones is concerned about the situation in Germany where Hitler has just risen to power. He’s convinced that the Nazis are a threat to the rest of Europe. But given the economic realities of the times, there’s no way Britain could afford another war. The only solution Jones sees to the imminent threat of Hitler and the Nazis is an alliance with Stalin and the Soviet Union who are, according to all the news reports, not simply weathering the crisis, but actually flourishing.
Jones arranges a trip to Moscow with the intention of interviewing Stalin and assessing the Soviets’ ability to hold off a hostile Germany, but when he gets there, he discovers a new mystery. Things aren’t quite right in Moscow. Surveillance, dodging questions, travel restrictions, questionable arrests, suspicious deaths. And hushed whispers by foreign reporters of “something big” happening in Ukraine.
Jones manages to get some unsupervised time in Ukraine—an area that was supposed to be the Black Earth Region, the breadbasket of Europe—and finds horrific conditions. The people there are starving. The grain they’re forced to grow on the newly-collectivized farms is confiscated, along with everything else edible. The people are resorting to eating tree bark and even cannibalism.
This is what the reporters in Moscow were whispering about. This is what New York Times Bureau Chief (and Pulitzer Prize winner) Walter Duranty attempted to distract him from in Moscow. And when Jones finally makes it back home and begins to speak and write about what he saw in Ukraine, it’s what Duranty and the rest of the foreign press corps in Moscow promptly discredit through The New York Times and their home newspapers despite knowing that Jones is telling the truth.
The Communist Party, led by Stalin, managed to cover up millions of deaths—a true holocaust—through a combination of censorship, intimidation, and the willful complicity of people like Walter Duranty and The New York Times. Although the press largely ignored the Holodomor nearly a century ago, Mr. Jones offers serious lessons that force us to reflect on the state of journalism in 2020.
CREDITS:
Produced by Sean W. Malone
Written by Jen Maffessanti & Sean W. Malone
Edited by Paul Nelson
Asst. Edited by Jason Reinhardt
September 8, 2022
Thank you, and goodbye. Now it's your turn.
My dear Out of Frame supporters.
On this special, final edition of Out of Frame, I want to take some time to thank you, talk about the future, discuss the state of ideas, and highlight the Steven Spielberg’s 1997 movie “Amistad” — which turns out to be the perfect vehicle for some of the things I want to say as I close out the show.
Freedom is the birthright, and the desire of virtually everyone on the planet, and yet the enemies of liberty are everywhere — power-hungry politicians and bureaucrats, “strong men” authoritarians, technocrats, socialists, and cowardly citizens — so the battle to maintain a world built on individual liberty and the dignity of human beings will never be definitively won for all time.
Fighting for a free society requires a passionate, energetic minority to carry the torch and persuade others with open hearts and open minds. It’s a task I’ve dedicated my life towards, and I’m leaving FEE and this series so that I can work on even bigger projects and try to make an even greater impact than I hope I’ve had here.
So with this final episode of Out of Frame, I wanted to challenge you to pick up where I’m leaving off. It’s YOUR turn to get creative, and I can’t wait to see what you come up with.
Cheers,
Sean W. Malone
Creator, Producer, Writer, and Host of Out of Frame.
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CREDITS:
Written by Sean W. Malone
Produced by Sean W. Malone
Edited by Michael Ozias
Asst. Edited by Abby Richardson
______________________________
LINKS:
— White Savior-ism —
A Critical Analysis of White Savior Films and Why You Should Avoid Them
https://aninjusticemag.com/the-problems-with-hollywoods-white-savior-narratives-2ed0bd5e5cf6
https://birthmoviesdeath.com/2015/09/16/amistad-spielberg-and-the-sword-of-empathy
— Intersectional Nonsense —
https://www.huffpost.com/entry/no-white-people-will-neve_b_7875608
https://www.nas.org/blogs/article/separate_but_equal_again_neo_segregation_at_yale
— Economic Turmoil —
https://www.nber.org/research/business-cycle-dating
After 2 Consecutive Quarters of Negative Economic Growth, Is America in a Recession?
https://www.bea.gov/data/gdp/gross-domestic-product
— Amistad —
https://avalon.law.yale.edu/19th_century/amistad_002.asp
December 15, 2022
Is Home Alone the Most Libertarian Christmas Movie Ever? #shorts
Is the Christmas classic “Home Alone” an ode to property rights and self-defense? Watch this short and find out for yourself, ya filthy animal!
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CREDITS:
Written by Abby Richardson & Sean W. Malone
Narrated by Matt Tabor
Produced and Edited by Michael Ozias
Assistant Edited by Abby Richardson
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LINKS:
https://www.irishpost.com/news/10-most-popular-christmas-movies-2021-new-years-162804
https://www.prnewswire.com/news-releases/home-security-system-market—34-of-growth-to-originate-from-north-america–driven-by-growth-of-diy-home-security-systems-technavio-301537313.html
https://parade.com/955037/stefanieparker/home-alone-quotes/
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